By Kushinara M D
Elumale, directed by Punit Rangaswamy—with Tharun Kishore Sudhir in a creative and production role—delivers a riveting tale where romance and danger collide in the shadowy expanse of MM Hills.
Set against the charged backdrop of 2004, this Kannada-language thriller unfolds in the early hours of a single night. Harisha (Raanna), a cab driver from Mysuru with no family, finds himself entangled with Revathi (Priyanka Achar), a young woman from a well-off Tamil Nadu household, destined for an arranged marriage the very next day. In a bold turn, she rejects her fate for a midnight escape, their bond underscored by small mementos—a photocopy of her college ID and a keychain marked “H”—that tether them across time and tension.
What begins as an intimate romance rapidly transforms into a nerve-jangling survival story. Punit Rangaswamy deftly weaves real historical elements—Veerappan’s smuggling network, cross-border arms deals, and law enforcement entanglements—into a narrative that crackles with suspense. Jagapathi Babu lends urgency as a commander on the trail, while Kishore portrays an unrelenting police officer, tightening the noose around Harisha.
In the midst of mounting danger, veteran actor TS Nagabharana offers grounding with a quietly wise presence. Meanwhile, visuals and sound elevate the tension: Advaitha Gurumurthy’s cinematography transforms the forested terrain into a silent, brooding accomplice; D Imman’s music pulses with both tenderness and foreboding; and tight editing maintains unrelenting pace and focus.
Despite its taut structure, Elumale is never just a thriller. At its heart is a defiant love story—one that refuses the safety of familiarity and challenges tradition under the cloak of night. Punit Rangaswamy’s direction—rooted in research and his own lived experiences of the 2004 era—injects authenticity into every frame, making the unfolding drama feel grounded even as it escalates.
Both Raanna and Priyanka Achar shine—his performance is raw and urgent; hers, emotionally resonant and commanding. The film’s multilingual approach enriches its realism, reflecting the porous boundaries and cultural overlap of the region.
In the end, Elumale is more than a tale of escape—it’s a story of how love, when pushed into extremes, carves its own destiny through uncertainty, danger, and fierce conviction. A compelling debut for the director, a breakthrough for its leads, and a reminder that truth, when dramatized with care, can be as gripping as the wildest fiction.
By Milind Dharmasena | Bangalore Times On 12 September 1975, Mayura, premiered to an eager…
Bangalore Mail Desk Shivamogga:In the wake of tensions following stone-pelting during a Ganesh idol immersion…
Bangalore Mail Staff Reporter Maddur (Mandya District), September 9, 2025 — A festive Ganesh idol…
By Hemavathy M N In an age where charity often ends with a photograph, B.S.…
Bangalore Mail Staff Reporter Bengaluru: The Karnataka state government has decided to withdraw 60 criminal…
By C. S. Dwarakanath The Parayya community—historically known as “Paraya Holeya” or “Adi Dravid”—has existed…