Shafiq Syed , Star of ‘Salaam Bombay ‘, Now Drives an Auto to Support His Family
BM TEAM
Once celebrated for his poignant portrayal in Mira Nair’s Salaam Bombay! (1988), National Award-winning actor Shafiq Syed now navigates the streets of Bengaluru not as a star, but as an auto-rickshaw driver—quietly supporting his family while carrying memories of fleeting fame.
Syed was just 12 when he stunned audiences worldwide with his performance as Krishna (Chaipav), a street child in Mumbai, in the internationally acclaimed film. His raw authenticity and compelling screen presence earned him the National Film Award for Best Child Artist and praise from critics around the globe. Yet, his early promise never translated into a lasting career in cinema.
Following Salaam Bombay!, Syed appeared in one more film—Patang (1994)—before disappearing from the spotlight. Despite the critical acclaim, industry support remained elusive. Mira Nair discovered Syed in a Bangalore slum, and during the film’s shoot, he was reportedly paid just ₹20 per day and fed modestly. The experience brought him recognition, but little financial security.
By the early 1990s, Syed returned to his hometown of Bengaluru. With acting opportunities scarce, he turned to driving an auto-rickshaw to provide for his mother, wife, and four children. He briefly worked behind the scenes as a camera assistant for Kannada television serials, but consistent employment in the entertainment industry proved difficult to sustain.
“There was a time when I had no responsibilities. Now, the entire burden of my family is on me,” Syed once reflected. Though his dreams of a film career faded, his determination to give his children a better life has never wavered.
Syed’s journey offers a sobering commentary on the Indian film industry and its treatment of child actors. Despite demonstrating remarkable talent, he lacked the industry connections, formal education, and support systems needed to sustain a long-term career. Too often, he says, he was seen not as an actor with range, but as a slum boy who once played himself.
Still, Syed hasn’t given up hope. He has written a 180-page autobiography titled After Salaam Bombay, recounting his experiences both in front of the camera and beyond. He dreams of seeing his story adapted into a film someday. “My Salaam Bombay will be more honest than Slumdog Millionaire,” he says with quiet conviction.
While the applause has long since faded, Shafiq Syed’s resilience remains. His life is no longer defined by the bright lights of cinema, but by everyday acts of responsibility and perseverance—a different kind of heroism, equally worthy of recognition.
